FiumanoClase

Artist

Shadi Rezaei

OverviewWorksBiographyExhibitionsPress
Soft Wash — Shadi Rezaei
Soft Wash, 2021Sefid Aab, Vintage brass bowl, round headed tailors pins Unique20 x 25 cmSigned and Dated / Provenance Certificate Provided
Pink Wash — Shadi Rezaei
Pink Wash, 2021Hand built wooden box, Persian Pumice (Sang e Paa), acrylic paint Unique42 x 42 cmSigned and Dated / Provenance Certificate Provided
Bahram Gur Hunting, Accompanied by his Slave Girls — Shadi Rezaei
Bahram Gur Hunting, Accompanied by his Slave Girls, 202123ct Gold leaf, Rabbit skin glue and acrylic hand painted miniature on Hahnemühle William Turner paper45.5 x 28.5 17 7/8 x 11 1/4Signed and Dated / Provenance Certificate Provided
King Ardavan and other Participants Dispute the Hunt's Spoils — Shadi Rezaei
King Ardavan and other Participants Dispute the Hunt's Spoils, 202123ct Gold leaf, Rabbit skin glue and acrylic hand painted miniature on Hahnemühle William Turner paper45.5 x 28.5 cm 17 7/8 x 11 1/4 inSigned and dated
Rudaba Makes a Ladder of Her Tresses for Zal — Shadi Rezaei
Rudaba Makes a Ladder of Her Tresses for Zal, 202123ct Gold leaf, Rabbit skin glue and acrylic hand painted miniature on Hahnemühle William Turner paper45.5 x 28.5 cm 17 7/8 x 11 1/4 inSigned and dated
No Man left Behind — Shadi Rezaei
No Man left Behind, 2021Handmade painted wooden box, natural white goose feathers, vintage Zoorkhaneh bell from Shiraz, rope, Mahogany Persian Meels & rope Unique91.5 x 91.5 36 1/8 x 36 1/8Signed and Dated / Provenance Certificate Provided
Copy & Paste; March Madness — Shadi Rezaei
Copy & Paste; March Madness, 2021Single channel high definition VideoVariableSigned and Dated / Provenance Certificate Provided
Did Rustam Leave the Battle? — Shadi Rezaei
Did Rustam Leave the Battle?, 202123ct Shell Gold, Rabbit skin glue and acrylic hand painted miniature on Hahnemühle William Turner paper32 x 23.2 cm 12 5/8 x 9 1/8Signed and Dated / Provenance Certificate Provided
Organized force alone enables the quiet and the weak to go about their business and to sleep securely in their beds, safe from the violent without or within — Shadi Rezaei
Organized force alone enables the quiet and the weak to go about their business and to sleep securely in their beds, safe from the violent without or within, 2021Single channel ultra high definition Video Artists mannequin, burqa, pink acrylic paintVariable Duration 2m 54 sSigned and Dated / Provenance Certificate Provided
I am not I, nor am I #2 — Shadi Rezaei
I am not I, nor am I #2, 2018Acrylic, hand stitching & c-type print on canvas120 x 90 cm 47 1/4 x 35 3/8 in
When the Curtain Falls — Shadi Rezaei
When the Curtain Falls, 2017Two Channel Video
Geometry of Pain #III — Shadi Rezaei
Geometry of Pain #III, 2016Acrylic, cotton thread and C-print on canvas120 x 90 cm 47 1/4 x 35 3/8 in
Geometry of Pain #2 — Shadi Rezaei
Geometry of Pain #2, 2016Acrylic, brass pin, cotton thread and C-print on canvas mounted on board120 x 90 cm 47 1/4 x 35 3/8 in
245 Degrees of Freedom #8 — Shadi Rezaei
245 Degrees of Freedom #8Lambda print on premium photo paper under acrylic glass & robust Dibond120 x 80 cm 47 1/4 x 31 1/2 in
245 Degrees of Freedom # 4 — Shadi Rezaei
245 Degrees of Freedom # 4Original Photograph under Acrylic Glass120 x 80 cm 47 1/4 x 31 1/2 inSigned and dated by the artist, verso
245 Degrees of Freedom #6 — Shadi Rezaei
245 Degrees of Freedom #6Original Photograph under acrylic glass80 x 120 cm 31 1/2 x 47 1/4 inSigned and dated by the artist, verso
I am not I, nor am I #1 — Shadi Rezaei
I am not I, nor am I #1Acrylic, hand stitching & c-type print on canvas120 x 90 cm
245 Degrees of Freedom #7 — Shadi Rezaei
245 Degrees of Freedom #7Original Photograph under acrylic glass120 x 80 cm 47 1/4 x 31 1/2 inSigned and dated by the artist, verso
Untold Things #4 / Self Portrait — Shadi Rezaei
Untold Things #4 / Self PortraitAcrylic and hand written text on C-print on canvas80 x 70 cm 31 1/2 x 27 1/2 in